• A person walking along a sidewalk with green construction fencing on the side, in sunlight creating lens flare and shadows.

    Selected works.

    Curated selection of stand-alone images exploring textures, motion, and reflections, imbued with a sense of intimacy and contemplative solitude.

  • Abstract art with red and orange hues, featuring streaks of light and blurry shades of human silhouettes.

    Entropy.

    Inspired by the concept of entropy, this visual essay examines the transition from order to randomness and uncertainty, inevitably moving toward irreversible chaos.

  • Black and white photo of a woman in a white dress walking through a PVC strip curtain, one hand pushing one of the strips out of her way.

    Meta noir.

    Focussing on the existential human condition and the inner emotional landscape, this German Expressionism and film noir inspired visual essay aims to reframe the noir genre.

  • Warped reflection of a house with a couple walking in front of it.

    Dissociation.

    Encased in structural layers, reflections, and shadows, these frames physically distance the viewer — a visual metaphor for alienation, numbness, and detachment.

  • Dark abstract shot of two construction workers standing on a bridge, next to van, with the skyline of the City of London in the background.

    Obsidian dreams.

    Descending into the threshold between lucid dreaming and false awakening, this monochromatic visual essay transforms familiar spaces into scenes we have unlearned to navigate.

  • Shadow of tree branches and leaves on sandy ground.

    天と地と.

    By reframing the triad of heaven, earth, and people not as separate layers, but as an indivisible reality, this visual essay dissolves the boundaries between the self and the world.

  • Dried, fallen leaves in caught in metal gutter.

    Das Ding an sich.

    Immersive textures and details spark a cross-modal response, bridging sight and touch, examining whether — as Kant postulated — one can never truly see the thing in itself.